I’m sure it happens to all of us – we watch an anime, and it completely bowls us over in it’s awesomeness. The show changes our perspective on how great anime can be and effects us on emotional and personal levels we may not have thought possible, etc. After watching a show like this, we might have to totally redo our favorites list just because this show rocked so hard, we have to wonder if the rest of our favorites deserve to compare, even if we can’t figure out if we can really put something above the shows that we’ve been obsessing over for years.
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One of the things that anime is surprisingly not very good at is creating a fully-realized fictional ‘world.’ When you open up a fantasy book (and fantasy is of course the best genre for fictional worlds) you are often confronted with a ‘world map’ right off the bat. You will be given details about all sorts of countries and locations and customs, etc., to bring this world to life as you read. The reason that this doesn’t really happen in anime is for the same reason it does happen a whole lot in JRPGs – time. The requirement for writing one of these posts is to be completely and utterly honest, isn’t it? In that case, I suppose I’d better tell the truth right from the very beginning: I’m really not sure what this post is going to be about. I think it would be rather difficult to trace my actual fandom of Rie Kugimiya. I would probably have first heard her as Nagi Sanzenin in Hayate no Gotoku and then as Touko Matsudaira in Maria-sama ga Miteru and Nene Kusagano in Potemayo, but I watched all three of those shows before I started really hearing the voices of shows I watched in Japanese, so I can’t remember anything about the performances (well, Nagi I can, but I’ve seen eps more recently, too.) I would have known about her from her roles as Louise and Shana, the latter of which was one of the early anime characters that I really became a big fan of, but I still can’t say I would have had a real opinion of her, even if I can remember her Shana voice somewhat. Tatsuyaki Nagai is quickly solidifying himself as one of my favorite new directors. His work on Toradora was superb, but with it having been my first experience with his work, I wasn’t sure how much I could attest to him when I watched it. He is currently directing the excellent To Aru Kagaku no Railgun, which shares a lot of visual commonality with Toradora, leading me to believe that he has a lot to do with the visual style. Kaitou Tenshi Twin Angel confirms my suspicions as his style is carried through once again. |
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